https://ogma.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:27782 Wed 11 Apr 2018 16:04:02 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:15768 Wed 11 Apr 2018 15:14:56 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:22871 Wed 11 Apr 2018 13:17:37 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:28908 Wed 11 Apr 2018 12:00:28 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:31724 Reza Negarestani’s Cyclonopedia: complicity with anonymous materials. The philosophical notions of ‘fabulation’ and ‘creative fabulation’ are used as a conceptual framework to explore and characterise these readings. The paper suggests that the text’s creative readings of Middle Eastern architectures and landscapes are integral to a particular narrative within the Cyclonopedia text. The philosophical notions explored in this paper are primarily drawn from the writings of philosopher Gilles Deleuze, including the collaborative works he produced with psychoanalyst Félix Guattari. Deleuze and Guattari specifically refer to the notions of ‘fabulation’ or myth-making and ‘creative fabulation’ within their text, What is Philosophy?, in which they also refer to philosopher Henri Bergson’s original conception of fabulation. Thus the present paper will reference Bergson, concentrating on his text, The Two Sources of Morality.]]> Sat 24 Mar 2018 08:43:31 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:31077 Sat 24 Mar 2018 07:25:31 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:24784 A Thousand Plateaus: Capitalism and Schizophrenia (1980). For them, the architect is a hegemonic figure whose detached operational approach differs from that of the artisan who discovers and responds to ‘real-life’ circumstances as they are directly encountered within project settings. Through reference to writings on the body and space by specific feminist philosophers, this paper draws attention to an artisanal mode of operation associated with architecture in which the body is deliberately enfolded within architectural production and consumption. An explication of my own comportment within the architectural processes of two self-initiated collaborative projects enables the relation between the two modes of operation – architectural and artisanal – to be recast within the very body of the architect herself.]]> Sat 24 Mar 2018 07:14:06 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:33864 Mon 21 Jan 2019 10:42:50 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:40635 Mon 08 Aug 2022 10:02:42 AEST ]]>